Woman In…Outback Australia: Camooweal, Queensland

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I will be taking my 84 year-old mate, legendary stockman Luke McCall back to the Drover’s Camp Festival at Camooweal, Queensland again this year. (Read about Luke McCall in Go Meet)

He likes to do it in style these days. It’s a 7000km road trip for me and takes about 3 weeks, staying in the best motels I can find and making sure he has two smokos, lunch and a fine dinner every night! His days of ‘cigarette swags’ and tea with damper are long over and he figures that he’s entitled to a little bit of comfort in  his old age.

 

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Right across the top of Australia, old drovers are rolling their swags because it is time to head to Camooweal for their annual reunion at the Drover’s Camp Festival held every year on the 4th weekend in August. This event commemorates the droving tradition when Camooweal was the centre for the largest cattle drives the world has ever seen.

Immortalized by Slim Dusty, ‘the little border town of Camooweal’ of 300 hardy souls, slumbers west of Mt Isa on the Queensland side of the Northern Territory border in outback Australia.

It is the place where droving teams once spent the Wet season. They camped on the Common beside the Georgina River waiting for telegrams offering contracts to take delivery of cattle from stations in north-western Queensland, the Northern Territory and the Kimberley area of Western Australia. These mobs of cattle numbering 1000 to 1500 head, would be walked into railheads and fattening depots in Queensland and the south.

They were months on the road and the drovers experienced incredible privations living in ‘cigarette swags’ on a diet of beef, damper and tea and battling both stifling heat and bitter cold as storms swept down the Rankine Plain.

My old mate, Luke McCall, tells of droving trips when he was in the saddle every day for nine months as well as taking a shift on watch each night.

The droving game lasted a hundred years but when change did come in the 1960s, it came with a rush. Within a few short years the sound of motors replaced the music of horse bells. Road trains were introduced to perform the long haul of cattle to markets and meat works. The days of the pack horse drovers passed into history…… but they have not been forgotten.

A complex  has been established at Camooweal comprising an outdoor function area, a droving museum, a portrait gallery of old drovers and a camp ground where every year, more than eighty old drovers congregate to relive the days of stockwhip, saddle and spur.

What I like most of all about the Drover’s Camp Festival is meeting and being with the old drovers. They are a rare breed. Collectively they all have big hats, big bellies and bung knees. They express their individuality with the bash of their hats. They are all different and unique and are a photographer’s delight. You can easily pick out from a distance who is who by the shape of their hat.

This is just a part of the Drover’s Camp Festival. It starts on Friday afternoon in town with a street parade and a hilarious charity race. It finishes with an old-time ball.  Saturday and Sunday are packed full of action at the Drover’s Camp complex.

Activities include competition bronco branding, country music (including a big Country Music Concert under the stars on Saturday night), bush poetry recitals, art and photographic displays, along with historical displays and information and lots of Australiana books and merchandise. The local race meeting is also held over the road on Saturday.

I enjoy watching the bronco branding. This is the way calves were branded on the stations in the old days before yards were built. Mobs mustered on the run were held by ‘ringers’ (stockmen) on horseback and a ‘gun catcher’ on a sturdy bronco horse would lasso each calf and pull it up to an improvised fence panel. Three men would then leg rope it and pull it over and earmark, brand and where required, castrate it. A good team would do a calf a minute in those days. Bronco branding as a procedure has long since gone, but is now a competitive sport in North West Queensland.

The best of the best teams compete at Camooweal.

I have been attending this festival for about 7 years now and have seen it grow in size until last year, when close to 2000 people attended. The camping spots along the Georgina River are filled with campers and caravans.

Everyone is welcome. It’s a chance to meet these legendary figures and get a taste of Australia’s outback heritage.

For more information go to droverscamp.com.au

 

Pat McPherson is a retired nurse from Victoria. She worked as a nurse for years with the Australian Inland Mission at Fitzroy Crossing in the Western Australian Kimberley region in the 1960s and  regularly travels to the outback which she considers her ‘heart country.’

 

 

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Kakadu National Park – Jarrangbarnmi (Koolpin Gorge), Northern Territory

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Off the beaten track in the Kakadu National Park

I had asked my daughter Genevieve, who lives in Darwin and works in surrounding Aboriginal communities, to take me to one of her favourite spots. She had heard of Jarrangbarnmi from friends and as it was a sacred site she thought it would be an ideal place to go to with her mum and sister Anna. I had always wanted to visit a sacred site as I am interested in Aboriginal culture and ways of relating to the environment. We had already been to the more popular areas of Kakadu on a previous trip.

Kakadu is a timeless land, many millions of years old, and while this suggests it must be highly adaptable, it actually has a very delicate ecosystem with a narrow margin to allow for human interference. We could never re-engineer the finely tuned connection between climate, land and living things if we were ever to lose it. Jarrangbarnmi (Koolpin Gorge) in particular reflects this delicate balance.

My two daughters and I left Darwin on a Friday afternoon in August, picking up our key from a key box at Mary River ranger’s station about three hours later. On our way home when returning the key, we stopped to read the large story boards describing the cultural and archaeological history of the area.

Jacinta hiking

Jacinta hiking

 Jarrangbarnmi (Koolpin Gorge)

Jarrangbarnmi is a resticted access area in the south-eastern section of Kakadu National Park in Northern Territory, 324 kilometres from Darwin. The area can only be accessed in the dry season. Because Jarrangbarnmi is remote and culturally and environmentally significant, visitors must obtain a permit in advance (allow up to seven days for the permit to be processed). A high clearance 4WD is essential. There is no mobile reception (so go only if you are fit and well), no drinking water and strict visitor guidelines are in place. There is a campground with composting toilets and fire-places.  I was confident travelling with my daughter as she travels to remote areas both for leisure and work and is a volunteer ambulance officer in remote areas. I would advise travellers only to do this trip if they have experience travelling through remote Australia or are with someone who has such experience.

Although visiting Jarrangbarnmi requires an effort, visitors will be well rewarded.

Two upper pools

Two upper pools

Getting there

We headed into the bush along a rugged 4WD track. Being in the middle of the dry season the bush was very dry, however we did have two river crossings along the way. Many of the indigenous trees were losing their leaves, leading me to think we were in a type of ‘autumnal season’. Kakadu is a timeless land, many millions of years old, and while this suggests it might be highly adaptable to have survived, Jarrangbarnmi actually has a very delicate ecosystem with a narrow margin for human interference; we could never re-engineer the finely tuned connection between climate, land and living things were we ever to lose it. We arrived with just enough light to set up camp and cook dinner.

The next day we read signs within the campground warning of local aboriginal lands that were out of bounds, of crocodiles in certain pools, and requests that visitors not apply sunscreen before swimming. Wide hats and protective clothing were a must as temperatures were reaching the low thirties. We packed up a picnic lunch, bathers, and enough water for the day, and headed into the gorge.

Swimming at pink pool

Swimming at pink pool

Waterholes

There are a number of pools or waterholes within Jarrangbarnmi that can be accessed over rocks and by following the creek-bed as there are no marked walking tracks. The first pool, Vegetation Pool, is inaccessible due to it being a sacred site—a residence of the Rainbow Serpent—and crocodiles are known to visit. There are another four pools further up the gorge: Pink Pool, Black Pool and then two more smaller pools. Some agility is required to climb rocks to reach all pools, particularly the further two. Visitors are encouraged to go only as far as they feel comfortable.

The area was contained enough and it was easy to stick close to the pools and not get lost. We used the pools as our guide and spent a full day exploring in and around them.  Small birds swooped at the water frequently, sipping quickly on contact before darting back to the safety of trees. Apart from small birds and insects and the sound of cockatoos, we neither saw nor heard other animal life. It was quiet and dark. The stars were beautiful and bright. I never felt threatened or afraid knowing that we were tucked away in a dark, remote place. It helped that we had each other for company.

Vegetation pool

Vegetation pool

Aboriginal sacred land

Knowing that we were on sacred land and that there was a community nearby, we had the respect to not wander into the bush. Most visitors who would be interested in visiting Jarrangbarnmi would have an interest in Aboriginal culture and the environment and would therefore understand respect for people and the land.

And we did have a sense that we were on sacred Aboriginal land. When lying in the still shade, or feeling the coolness of the water on our warm skin, or listening to the soft buzz of the frantic beating of tiny wings, we sensed the sacredness around us, and we wanted to respect it and care for it. And we thanked the earth for its gift.

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Photos by Jacinta Agostinelli

Polixeni Papapetrou – My Top 5 Places in Australia

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Polixeni Papapetrou passed away in April 2018. We keep this post about her as a tribute to this courageous woman and acclaimed artist.

When photographic artist Polixeni Papapetrou chose her 5 favourite places to visit in Australia, they were not just travel destinations. They were landscapes that captured her imagination and inspired her to transform them into her art. Dramatically beautiful, they are insightful and unsettling works.

Her art provides us with a unique perspective on these landscapes.

Polixeni has said that in her work, landscape is another protagonist in the narrative.

Polixeni’s parents immigrated to Australia from Greece, and she was born and raised in Melbourne. She qualified and practised as a lawyer. But it was her intense and singular vision as a photographic artist that won acclaim and forged for her an Australian and international career replete with grants, exhibitions and awards. Her works have featured in over 50 solo exhibitions, and over 90 group exhibitions in Australia, the United States, Asia and Europe. They are held in private and institutional collections in leading galleries here and abroad, including the National Gallery of Australia, the National Gallery of Victoria, and the Museum of Contemporary Art, Sydney.

Polixeni and Lexi by Robert Nelson

Polixeni’s art has evolved through a series of themes.

Earlier works depicted the construction of identities through photographs of drag queens, body builders, clowns, circus performers, and Marilyn Monroe and Elvis Presley impersonators.

Subsequently and most notably, Polixeni created the series on childhood and its shifting meaning. Featuring her own children, Olympia and Solomon as they grew into adolescence, the series uniquely combined reality and imagination, nature and theatre, the benign emblems of childhood story-telling with an underlying sense of menace.

In later works, Between Worlds, (2009), The Dreamkeepers (2012), and The Ghillies (2013) masks and costumes worn by the children allow them to transgress boundaries – young to old, human to animal – and transform them into disruptive and unsettling figures in picture-perfect landscapes. As Polixeni describes it: “ I have these characters in my mind and like to find the habitat for them and then photograph them. For me it is about reconciling my inner world, possibly the unconscious to the real world.”

It was her son’s interest in the camouflage outfits named after Scottish gamekeepers and used in computer games and by the military, that inspired the stunning images of The Ghillies. Polixeni photographed Solomon wrapped in camouflage in the landscape. But in this series, instead of being hidden in the landscape, he seems to grow out of it.

Despite serious illness, Polixeni continued until her death to create new series of works with the continued enthusiastic participation of her children and her husband, art critic and academic Robert Nelson.

 

 

Polixeni’s Top 5 Places:

Polixeni_Papapetrou_The_Loners_2009

Polixeni Papapetrou The Loners 2009

Flinders, Mornington Peninsula, Victoria 

When friends invited us to their holiday home in the coastal town of Merricks, on the Mornington Peninsula in Victoria I was eager to go. I knew about the town as it is the home of the popular 1920s- built Merricks General Store and Stonier’s and Merricks Estate wineries (two of my favourite reds). I was enchanted with a site in Flinders, known as Bush Rangers Bay. The contrast of rural and the wild coastal terrain of Bass Strait makes for breathtaking landscape.

 

Polixeni Papapetrou The Shell Collectors 2009

Polixeni Papapetrou The Shell Collectors 2009

I have made numerous pictures at this location such as The Loners, portraying two elderly rabbits walking along the coast line framed by basalt cliffs, another of two horses enjoying the violin, three industrious pigs gathering straw at the site of the old quarry and a mother and son collecting shells on the coast. When making The Shell Collectors we were caught out by a rapidly changing tide and while the children scurried away in a flash, I had to gather my camera equipment before the encroaching waters carried it away to sea!  Nearby is the formidable Flinders Blowhole where if you dare you can walk on the rocks or even walk to the spectacular Cape Schank.

 

Polixeni_Papapetrou_Study_for_Hattah_Man_and_Hattah Woman_2013

Polixeni Papapetrou Study for Hattah Man and Hattah Woman 2013

The Mallee region 

VIC and NSW 

Mildura is a short plane trip from Melbourne, but I find the six hour long scenic journey by car one of the most relaxing drives in Victoria. As we progress through the drive, I love seeing the earth change colour turn from brown to a rich red. That is the signal that we have arrived in Mallee country, on which the beautiful stunted mallee tree grows. Before we reach our destination in Mildura to spend time with family friends, the         De Pieris who run the acclaimed Stefano’s restaurant and Mildura Brewery, we stop off at various locations to make work.

The semi-arid Murray-Sunset National Park is a must stop for me. The landscape is virtually untouched other than the site of the Raak Plain, an old gypsum mine which looks like an apocalyptic landscape. I made the picture called Study for Hattah Man and Hattah Woman on the Raak plains.

Polixeni Papapetrou Salt Man 2013

Polixeni Papapetrou Salt Man 2013

The landscape has a mysterious and ancient mood that I wanted to capture. I also love the Pink Lakes in the same park which change colour throughout the year. During Spring the lakes turn a deep pink colour and you can walk across them. I made the picture Salt Man on the Pink Lakes. The gorgeous pink coloured salt we have on our table at home is produced by the Murray River Red Salt Farm.

A short distance further from Mildura crossing the Murray River into New South Wales brings you to the town of Wentworth and the spectacular ancient site of the Perry Sand Hills. It was once a camping and hunting ground for Aboriginal people. As a result of the Ice Age, the area turned into sand dunes sculpted by wind erosion over thousands of years. As far as the eye can see, the area feels like a scene from another planet, acres and acres of shifting orange coloured sand dunes. I have visited this site a number of times to make photographs.

 

Polixeni_Papapetrou_Wild_World_2008

Polixeni Papapetrou Wild World 2008

Lake Mungo, NSW  

Another favourite destination is Lake Mungo, a significant ancient Aboriginal site, which was once  an Aboriginal fishing, hunting and camping ground. During the last Ice Age the water levels dropped and the lake dried up. Subsequent erosion of the land revealed human and animal remains as well as tools. The most spectacular discovery were 40,000 year old skeletal remains known as ‘Mungo Man’ and ‘Mungo Woman’. Walking on the dried lake has a moon-like eeriness about it.  The small museum on the site and the old woolshed are added attractions. Many visitors camp on the grounds, but as I can’t wear my heels camping we stay in the Lake Mungo Lodge.

 

Polixeni_Papapetrou_Hanging_Rock_1900_2006

Polixeni Papapetrou Hanging Rock 1900_2006

Hanging Rock, Macedon Ranges, Victoria 

As a teenager in the 1970s I was captivated by Peter Weir’s film, Picnic at Hanging Rock. Set on Valentine’s Day in 1900, a party of schoolgirls ventured out for a school excursion at Hanging Rock. Three of the party set out on a walk on the rock and were not seen again. The story of the three missing schoolgirls has become embedded in Australia’s cultural imagination to the point where people are surprised to learn that the account is a fiction. When I discovered that Hanging Rock was just outside of Melbourne, I hopped to and immersed myself in its mysterious history.

Polixeni_Papapetrou_The_Lantern_ Keeper_2012

Polixeni Papapetrou The Lantern Keeper 2012

The site itself is one of the world’s most extraordinary and significant geological formations. The Rock is a former volcano and is shaped into pinnacles created over 6 million years ago when lava rose through the earth’s crust. The magma that rose to the surface is only found in two or three other places in the world. It is a ghostly place, wild and chaotic and is a perfect backdrop to set the scene for my work portraying the ancient, spiritual wilderness of Australia.

I was moved to make a photograph about the three missing schoolgirls at Hanging Rock as well as making Magma Man and The Lantern Keeper as I could imagine my invented characters living there, hiding in the Rock’s many nooks and crannies.

 

Polixeni Papapetrou The Visitor 2012

Polixeni Papapetrou The Visitor 2012

The Victorian High Country (Mt Buller) 

When you mention Mount Buller, in Victoria’s high county, you immediately conjure up images of snow and skiing. I love to visit the mountain in the warmer months of the year, as working on-location is more comfortable and easier. The stunning snow gums at Mount Buller are also fully expressed in the warmer months and create pockets of natural beauty set against these spectacular mountains.

When we made The Wanderer, we arrived the day before and were surprised by sudden overcast conditions, a thunderstorm and a blackened sky. I despaired and thought that I would not be able to take photographs as planned on the following day. I resigned myself to having a holiday, but plans were once again changed when we woke up to a brilliant blue sky the following morning.

Polixeni_Papapetrou_The_Philosopher_2012

Polixeni Papapetrou The Philosopher 2012

Similarly when I made The Visitor during the Spring, a dampness descended on the mountain, which was atmospheric. I thought that I’d have days of this perfect photographic backdrop, but once again we woke to a clear sunny sky the following day.

 

I also made The Philospher at this location. The image reflects a person alone on the top of a mountain. It symbolizes the solitude of thought where the vastness of the landscape is the counterpoint to the intimacy of an internal world. It is an internal/external that we all struggle with. I love the way that the landscape in the High Country plays tricks on me.  We also love to visit the nearby town of Mirimbah, eat at the café, walk in Mirimbah Park and jump into the lake when it is hot enough.

 

Images in Eden Series

Travel Tips:

* If you are friendly with your neighbours, let them know that you will be away. Otherwise leave home in the dead of night! And don’t forget to put the dogs in kennels.

* Research the history of the areas that you are visiting. And take maps. Intuiting your way across foreign terrain is only great if you enjoy becoming seriously lost.

* Pack as lightly as possible as you always accumulate things along the way. Kidding yourself if you say that you won’t.  But always take plenty of water.

* A book goes a long way to relieving the boredom of travel.  Yes holidays can be a bit boring, but you can always attempt an interesting conversation too.

For more information about Polixeni Papapetrou see:http://www.polixenipapapetrou.net

Exhibitions

• MAMA Art Foundation Photography Prize, Murray Art Museum, NSW, 21 May – 7 August 2016

• Timelapse, Gippsland Art Gallery, Victoria, 24 May – 24 July 2016

•European Month of Photography, Athens, Benaki Museum, Athens, 9 June – 26 July 2016

•Spring 1883, Windsor, Kalli Rolfe Contemporary, 17-21 August 2016

•Eden, Stills Gallery, Sydney, 31 August – 5 October 2016

•European Month of Photography, Berlin, 1-31 October 2016

•Beyond Eden, Monash Gallery of Art, Melbourne, 22 October – 2 December  2016

 

Photo of Polixeni Papapetrou by Robert Nelson

 

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Maria Island Tasmania

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Cruising Maria Island

The boat pulled into the clear turquoise waters of a small cove. We were surrounded by rocks aged from 280 million to over 400 million years-old, pressed together in configurations seen nowhere else in the world. And then lunch was served.

WomanGoingPlaces was on a circumnavigation of Tasmania’s Maria Island. Maria Island has developed an international reputation for the 3-5 day walks held in this Tasmanian National Park. But we found that cruising the coastline is another way to visit the island.

We boarded the boat at Triabunna on the mainland and set out for a trip right around Maria Island. And we saw what makes this tiny island just off Tasmania’s east coast such a compelling place to visit.

Maria Island: Historical, Geological and Natural Wonder

Maria Island holds a remarkable position in Australian history. It is a refuge for Australian wildlife. It has great natural beauty, and is a geological wonder.

Before the colonial era, Aboriginal people journeyed regularly to Maria Island and evidence of their presence remains. Its earliest European visitors were whalers and sealers. Then in 1825, it became one of the first penal colonies set up by the British in Australia, even before the more infamous Port Arthur.

Today, it has become a ‘wildlife ark’ for threatened native wildlife.

It is one of the best places to see wombats, wallabies, pademelons and forester kangaroos in their natural habitat.  They roam undisturbed as no cars, shops or hotels are allowed on the island. There are over 114 bird species including introduced Cape Barren Geese. Our guide Kirsty lived up to her nickname “Wombat  Whisperer” when she led us close to several wombats, including a rare encounter with a mother and baby.

Tourists are allowed visits and short stays, but may not reside on Maria Island.

The complex beauty of Maria Island’s geological formations along the coast has left international geologists in awe. These formations are best viewed offshore by boat.

Our journey along the coast gives us spectacular views of the tall limestone Fossil Cliffs containing many ancient fossils, and the sandstone Painted Cliffs where iron oxide has stained the rocks with stunning splashes of colour – red on ochre and grey. We see rocks called Drop stones which 300 million years ago were dropped by glaciers.

Even the youngest rocks here were formed 100 million years before the dinosaurs.

The boat passes a waterfall cascading down rugged cliffs into the sea and remarkably stalactites formed on the outside of a cliff. We enter a deep cave studded with fossils. And even though it is dark, through the magic of the camera lens, cake-like layers of  bright pink, green, brown and golden rock are revealed.

There is an abundance of marine life including seals and dolphin. We were gazing across the water when suddenly a flying fish leapt out of the sea, its iridescent winglike fins spread taut as it flew  a metre above the water for about 15 metres before it dived back into the sea. We were too stunned to reach for our cameras, but fortunately someone on this boat had photographed just such a fish the previous week.

Spectacular white crescents and pristine bays of blue-green waters form the contours of Maria Island. We see immaculate beaches from the boat, and then at Darlington, we dock at one of them. These pure sandy beaches are composed of the same white granite as the world-famous Wineglass Bay on Tasmania’s Freycinet Peninsula.

Darlington

Darlington is the site of the World Heritage listed original convict settlement. We spent some time walking around. The British abandoned this settlement in the mid-1800s. Instead, the colonial rulers established the even more remote penal settlement of Port Arthur. Some of the original convict quarters are still standing at Darlington and are now used as dorms for travellers.

It is worthwhile to wander through Darlington’s remarkably well-preserved buildings. Besides the original convict buildings, are several impressive houses, including the Coffee Palace built by hopeful settlers in the 19th Century. Life was very harsh there and they failed to sustain their settlement. But they left a fascinating record. The testimonies of these entrepreneurs as well as those of such notable convicts as Irish nationalist leader William Smith O’Brien, exiled here for his part in the Young Irelander Rebellion of 1848, give Maria Island its rich mix of history and natural splendour.

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All photos by Rosalie & Augustine Zycher apart from Flying Fish by Karen Dick.

Music: Albare – No Love Lost from the album The Road Ahead

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Susan – Women of Oz

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I learnt to be on my own later, travelling as an older woman, because I think I have been left alone as an older woman in a way that I never was when I was younger. I used to be followed. Spain was a nightmare. You couldn’t be on the street in those days in the sixties. You could not go to Spain alone, under Franco. I was there. You could not go to Greece alone. And you could not be in Italy unless you wanted to be followed all the time. Now I feel very free because no-one even sees me! No-one sees me. They’ll help. I can ask questions and they’ll come to my aid, but no-one wants to follow me and touch me.

Oh, it’s great! It’s fabulous!

THE KIMBERLEY, AUSTRALIA

One memorable trip for me is going to the Kimberley a few years ago with my husband. And I feel like I’m a millimetre high when I go into that country, Australia. I feel like I don’t exist. I’m so insignificant. I always feel that when I go into that sort of country here. And the Kimberley was just extraordinary because of the colour, and the vastness, the silence and just so much going on. But you need a guide. You need to be shown how to look. Whereas, you go to Europe, you know how to look. I don’t know how to look in my own country. It’s fabulous.

 

THE NAKASENDO WAY, JAPAN

The Nakasendo way (Japan) was an ancient road that linked Tokyo with Kyoto, and it was controlled by the old warlords. Along that way there are stations like forts and they controlled who went on that road and it was for their own survival. It was a very violent time in the 12th and 13th centuries. So this road goes through the mountains, literally through the mountains behind Kyoto.

It’s a 10-day walk, and you walk from Ryokan to Ryokan (traditional Japanese inns). You stay in tiny, tiny little ancient Japanese Ryokans. You have to just carry a little day pack. You’ve got to be fit enough to walk up to 8 hours a day. But you go in the autumn or the summer. And the road can be hilly, very steep or it can be quite flat. And little paths, little beautiful tiny mountain paths. You’re surrounded on all sides by trees, bamboo. It was autumn so all the leaves are changing colour, and in that 10 days, the leaves went from green to brown to scarlet to yellow. And it’s meditative because the only thing you need to do is concentrate on your feet – that’s it! I tried one or two times…, things came into my head but I had to push them away. So you basically just get up in the morning, have a divine Japanese breakfast, and you put on your shoes and your jacket, take your walking sticks, and walk – until dusk.

It’s very spiritual. It’s very ancient. And it’s a challenge beyond. There are some days when you are walking on the original bluestone. They’re like 500 years old and you’ve got to walk on them in a certain way and you’ve got to be very, very careful. You’ve just got to plod. They’re sort of sticking up. It might only go on for half a mile because a lot of them are not there. You’ve got to plod. You’ve got to walk as slowly as your heartbeat. And what’s the challenge for me, is slowing down. You can’t run because you won’t make it.

And the other challenge was just to know I could get there. Because on about the third or fourth day you think, I’m not putting my boots on again.

We probably ended up walking 300 kilometres.

So, I know lots of people that are doing that right now. People of my age, women who are feeling – if I don’t do it now, I’ll never be this fit again. Because you must be reasonably fit.

 

 

 

 

Karyn – Women of Oz

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CAMBODIA

Every time we build (as part of the Tabitha Foundation Cambodia), it’s a challenge because 40 to 50 people build 40 homes in 3 days. It’s heads down, bottom up, hammer away. It’s always a physical challenge.

And what do you do?

Build. Hammer.

When we go there, there’s usually a cement base that’s already poured and a frame and a roof. And we hammer floorboards. They can be bamboo or timber. And we basically hammer. One project, I think we did 3000 nails in 2 floors and also we used corrugated iron around the external walls. It has a cut out door-frame and a window, and I guess it doesn’t sound like it’s a beautiful luxury framework in which people live, but it’s dry – Cambodia has so much rain – and it’s a protection for their property and anything that’s precious. It’s a safe place for them.

I’ve been doing it for 9 years. I took my daughter last year, for her birthday, for her 21st. We went to visit Sue Huxley’s school, which was amazing. And I took my 21 year-old daughter and a friend of hers. I wanted to take them to Siem Reap because Siem Reap is one step away from heaven. That’s the temple area. It’s beautiful. That always overwhelms me because that’s so amazing. So taking Jessica last year was really important. Rather than her just being involved in the build, I just wanted her to get a sense of the country, just to understand why I just keep having to go back, why it’s just in me. It’s almost like I feel, it’s one of those places that you become so involved in it, that it’s almost hard not to go back.

It’s like watching the twin towers fall. It’s like you watch something horrific or you understand the circumstance of something and you think, I’ve seen this same picture, I’ve seen this same circumstance again and again and again. The footage just keeps coming, the environment is still there. But it’s like, do I have enough? Do I just go to bed now because I’ve already seen it? It’s like you can’t give yourself permission to step away because it’s like a responsibility. That’s how I feel. It’s a bit of a responsibility.

So that’s why I keep going back. But it’s so much fun. I love it. It’s so energising. It’s such a remarkable experience. As I said, it’s a way for me to go very safely into a country, really make a contribution. You see that. We drive through all the areas. We see all the Tabitha houses. They’re so well recognised. Each time we build, it’s usually 40 houses in a province. So maybe we do 4 houses amongst my team of 8 people. That’s a lot of houses. But there’s a lot of people that don’t have a shelter.

There’s no mucking around, let’s discuss it. It’s like: there it is, there’s the materials, the floor’s in place, start hammering! The most important thing is: where is the sun and how do we put up what walls to protect us from that beating? Because by the time you’ve been out since 8 o’clock in the morning and it’s 38 degrees and it’s 1 o’clock, wow, that heat! It’s the only place that I ever feel that complete, not dehydration, it’s different. Something happens to your body, it’s completely spent.

We had the opportunity to visit the site of a school being built in honour of one of the leaders and organisers of the build initiative Sue Huxley. I happened to go into the building to take a photo when the teacher came in. She had probably 60 or 70 students with her and they all walked in. I was sort of stuck in the middle of the room thinking “Ok, might be time for me to go now,” I was disturbing them by being in their space. So I was saying “Excuse me, I’m sorry I’m in your little space,” and she said “No, no, no.” And they started to sing. And all of my colleagues in the build team were outside the frame of the building looking in, and I was just in the middle of these amazing children singing, singing, singing. And that was a really overwhelming experience. I felt like a giant as I’m so long-limbed. And they were so open-faced and everyone participating, just singing their little hearts out. I felt like Maria out of The Sound of Music.

*           *

And oh, this Cambodian man, came out of the lush undergrowth and he looked like a warrior, bare-chested, strong, physically strong, I mean, these are people who work hard and he just looked like a warrior. And he had something (in his hand) like a spear or utensil he must have been working the ground with.  He obviously couldn’t speak English but his eyes were wide and white and he gathered the children up. We thought wow, that’s amazing and our interpreter got out of the van and went and spoke with him. And he sort of then settled down. And when the interpreter came back to the van he said that these people were targeted, the children were going missing because there were people coming from Phnom Penh to take children, for them to be taken back to the city to be prostituted. So that is an issue too, if you’re living in isolation, that’s what can happen. Children walk long distances to get water, or they walk between villages. So they have an unsupervised period of time. And that was very frightening, and obviously for that gentleman as well. And he had never seen people with white skin, so we’re talking a remote area.

For me, my travel is always to have an experience, to immerse myself in a culture, to understand the history. And I hope that makes me a more interesting person. That’s what I’m hoping.

 

 

 

 

Professor Gillian Triggs – My Top 5 Places in Australia

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Gillian Triggs, Chair of Justice Connect, won enormous respect for her courage and fortitude in defence of human rights in her previous position as President of the Australian Human Rights Commission. This despite being subjected to unprecedented attacks and pressure from government ministers and their representatives.

Professor Triggs was catapulted into national headlines when she released a report on children in immigration detention. Tony Abbott, the then Prime Minister, Attorney-General George Brandis, and the then Immigration Minister Scott Morrison declared that the report was biased, that they had lost confidence in her and that she should resign.

Professor Triggs stood firm. She insisted the report adhered to the law and was objective, and if she were to resign, it would suggest otherwise and would undermine the independence of the commission.

These personal and professional attacks on Professor Triggs sparked a social media campaign of huge support for her which affirmed widespread confidence in her integrity. It also had the effect of making people aware of the existence of the AHRC and led to thousands more seeking its services.

"Human rights are for everyone, everywhere, every day." Professor Gillian Triggs

“Human rights are for everyone, everywhere, every day.” Professor Gillian Triggs

Australia has no Bill of Rights, so the AHRC is the “first port of call” for complaints regarding human rights and breaches of anti-discrimination laws, she says. Its responsibility is to monitor Australia’s performance in meeting its international human rights commitments. And its services are free.

Professor Triggs once remarked that it was ironical that in the year in which we celebrated the 800th anniversary of the Magna Carta, she came under increasing attack because the Commission drew attention to  “the erosion of our human rights and to the diminution of the checks and balances that preserve our democracy.” For her it was the “year of living dangerously”.

Gillian was born in England, and when her parents decided to emigrate to Australia when she was 12, she was was not happy about having to give up her studies as a ballet dancer at the Royal Academy. But once in Australia, she joined the Borovansky Ballet. At university, she was one of the small number of women studying law. She was part of the burgeoning feminist movement on campus, and with characteristic flair, won Miss University at Melbourne University in 1966.

Gillian Triggs is held in the highest esteem by her peers. In her 50-year career as a lawyer, she has held academic positions such as Dean of the Faculty of Law and Challis Professor of International Law at the University of Sydney. She has also had an international commercial legal practice, and worked with governments and international organizations on human rights law. She was Director of the British Institute of International and Comparative Law from 2005-7 where she directed social justice projects in Iran and Africa.

This year Gillian published Speaking Up in which shares the values that have informed her convictions and the causes she has championed.  Her publisher, Melbourne University Press writes: ” She dares women to be a little vulgar and men to move beyond their comfort zones to achieve equity for all. And she will not rest until Australia has a Bill of Rights. ”  She has also written five other books, mostly on international law and human rights.

A portrait of Gillian Triggs in Lego blocks appears in a new work by Ai Wei Wei commissioned by the NGV for the exhibition Andy Warhol/Ai Wei Wei. Incorporating more than two million Lego blocks, the cube features portraits of twenty Australian activists, champions of human rights and freedom of speech. (See image above)

 

Gillian’s Top 5 Places:

 

Wilsons Promontory Marine National Park - photo Great Trails Victoria

Wilsons Promontory Marine National Park – photo Great Trails Victoria

Wilsons Promontory, Victoria

True Australian wilderness that has been protected with fierce determination by locals, government and environmentalists. The area is a treasure trove of Aboriginal middens, wildlife and dramatic scenery. The beaches are pristine and ‘Squeaky Beach’ has tiny white particles of sand that record every step.

 

 

 

 

Sydney Harbour & Opera House

Sydney Harbour & Opera House

Sydney Harbour, New South Wales 

One of the most beautiful natural harbours in the world. Every inlet and beach can be explored by ferry or walking.  There is something of interest for everyone. The zoo, local history, the sculpture walk across the cliffs, fishing and sailing, or eating in the restaurants. I took my family visiting from England on a yacht  trip around the harbour for Christmas eve; an unforgettable night.

 

 

Green turtle - photo courtesy of Great Barrier Reef Marine Park Authority

Green turtle – photo courtesy of Great Barrier Reef Marine Park Authority

Great Barrier Reef, Queensland 

One of the natural wonders of the world. Snorkelling or diving reveals a magical world of colour and life .  The reef is radiant with fish and marine species.

 

 

 

 

 

 

 

 

 

Mt.Buller - photo by daz77

Mt.Buller – photo by daz77

Mount Buller, Victoria

Mt.Buller is the beginning of the Great Dividing Range and a stunning change from coastal Australia. The cattle trails through the mountains or the ski runs down the mountain offer spectacular views of an Australia that is unexpected and grandiose. The local wines, cheeses and  fresh produce make it a gourmet’s delight.

 

 

 

 

Great Ocean Road - photo Britannica Kids

Great Ocean Road – photo Britannica Kids

Great Ocean Road, Victoria 

The Great Ocean Road is  spectacular as it winds around the edge of the Australian continent from Geelong in Victoria to the Coorong in South Australia. The coast is rugged and home to vibrant bird and wild life.

 

 

 

 

 

Travel tips:

* Do your homework before you go to avoid the traps and to get the most from your adventure

* Stop to watch and listen rather than trying to do too much; enjoy the moment.

* Pack really wearable comfortable clothes

* If you can, pay extra for good accommodation

* Look up a friend in the area or find a new one; they can introduce you to the best secrets of the area

 

Photo of Professor Triggs by Matthew Syres.

Read More Top 5 Places

 

 

 

 

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Susie – Women of Oz

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MT. KILIMANJARO, KENYA

The most outstanding trip I ever undertook was with a group of 5 women and we climbed Kilimanjaro. It was an amazing, emotional experience. We trained really, really hard. We trained together. We made a schedule. We trained at least once a week, sometimes twice. And we’d go up a thousand steps, and we’d do 5-hour hikes, and we went and did altitude training. So we were really probably the fittest we’d ever been in our lives.

We arrived there and we were at the bottom of Kili, and we’re having a group hug, and of course, I burst out crying because it was so momentous. We got to the top, I burst out    crying. It was an emotional experience because it was really, really tough. The altitude was horrendous. We had really bad weather – it rained, it poured – so much so, that the 4-wheel drive that was supposed to take us to the bottom of Kilimanjaro couldn’t make it. So we had to walk an extra 6 or 8 kilometres before we even began.

It was just amazing. When we got to the top, it was the most amazing experience – the camaraderie, the fact that the 5 of us started and the 5 of us finished together. We were always together. If someone was feeling a bit bad, you would help them to put one foot in front of the other. It was just the sheer exertion of getting there. It was the physicality as well as the emotional experience. So physically it was really tough. It took us 5 days up and 11/2 days down or 41/2 and 11/2. It was 6 days, 5 nights.

Was it the most difficult thing you’d ever done physically? Emotionally?

Both. It’s almost like the 9 months of carrying a baby and then finally having the baby. And just being so elated at the top that you forget about all the problems that you had getting there.

Why do it?

Because it’s there. And it’s a challenge. We all love a challenge, and that was my physical challenge. It was a now or never. We were all in our early 50s. I think you need it because you need it for the mental aptitude and the ability to do it mentally ‘cause it’s a head thing. Apart from it being physically difficult, it’s really hard to keep yourself going. There were nights when we didn’t get into to the camp until well after dark, exhausted, fatigued, not even wanting to eat. And you know you’ve got to force yourself to eat. You’ve got to force yourself to do everything because you’ve got to get up the next day and do it again.

Do you think you were mentally and emotionally stronger now than when you were younger ?

Yes, absolutely.

I did a marathon when I was in my early 40s and I only believe I could do it because I had the mental attitude to keep going. When you’re young, it’s not that important, give up, who cares?

Why is it important now?

Because if you don’t do it now, when are you going to do it?

Did it in anyway change your relationship with the other women?

Yes. We’re best friends now, we’re all friends.

Yes, absolutely. We’re really close friends. We’ve accomplished something together and experienced something together that is really inexplicable and you can’t take that back. So now even if we don’t see each other all the time, they are counted amongst my best friends.

 

 

 

 

Elizabeth – Women of Oz

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I’d never been out of Australia until about 6 years ago. Well, I thought, it’s now or never. And now I’ve been to over 30 countries.

I say to people who say -“I can’t afford to travel” – I tell them: “Go to the travel agent and book it – and then the money seems to magically appear. That’s how you do it, otherwise you can’t afford to go anywhere.”

THAILAND

The first trip ever was to Thailand. I back-packed north and south with my daughter. We did a trek through the jungle. We rode elephants, and we went down the river. We went to a Thai wedding and I got into the Thai wine and got a little bit merry. Phuket was like    paradise for me. That was probably the happiest trip, with my daughter.

IRELAND

I always wanted to go to Ireland because of my ancestors. Absolutely loved Ireland.

They had the singalong in the pub until 11:00 at night and then the old people would go home and us youngies would stay for the nightclubs.

ENGLAND

I used to look at England on the TV and never wanted to go there, always wet, always raining. And yet when I arrived there, that was my most favourite. When I got there, I had a strong sense of coming home.

NEW ZELAND

In New Zealand, in the morning, they picked me up and I jumped out of a plane. And then I did Level 5, white-water rafting.

USA

In America, I went to LA, went to Las Vegas, and as I’m a marriage celebrant I loved all the corny little wedding chapels. I went to Washington and because I’m a detective, I went to the spy museum, and Maxwell Smart was there. I found that rather amusing.

AUSTRALIA

I’ve also been a scuba diver here in Australia. I’ve dived Mount Gambier – the caves and I’ve dived the Great Barrier Reef, plus the coast of W.A.

I’ve been around Australia twice.

I’m going to Vietnam, Cambodia next.

 

 

 

 

Claire – Women of Oz

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MEXICO

The trip I most remember was to Mexico, about 4 years ago. My daughter was working there with Cirque du Soleil. Flying into Mexico City was just unbelievable – flying in and seeing all the poverty That huge population, all living on  the hills with virtually no shelter. I just found that quite incredible. And the experience of being in Mexico city – it was amazing and how they all survived, I just found that quite incredible. I stayed with my daughter for about a month. She was working but we did a few trips around Mexico. But just Mexico city was amazing. The fact that you could get around so easily even though they didn’t speak much English, and I felt safe, and I love the culture, the dancing, the music the whole history of the Aztecs, going to the pyramids and just the people. I just loved it.

What was that the happiest trip you had?

ENGLAND

My mother took me away when I was 17, on a ship over to England for 6 months and then we had a trip around Europe – that was pretty amazing. I guess that was the happiest. It was special because it was the first time I’d been out of Australia. And the fact that Mum did that for me, I thought that was pretty amazing. We met another lovely mother and daughter who were doing a similar thing. I had my 18th birthday in London and we went to see Margot Fonteyn and Rudolf Nureyev at Covent Garden doing Swan Lake. That was amazing. I remember that as being special.

SINGAPORE

I loved the experience of travelling and working overseas. I would much prefer to do that than do a whole lot of sight-seeing really. Although that’s lovely too. I lived in Singapore for 4 years in the 70’s and that was pretty amazing. In Singapore, just getting to know people from all over the world, an absolute melting pot in Singapore, it was then. Seeing a completely different culture.  And I did some nursing there as well. I just loved the fact that I worked with local people. I had local pay, which as a nurse was very usual. I just think that’s how you get to know how people function.

And had a child there too. My son, my first child, was born in Singapore. And we went back there recently, last October, and found the house where we lived 40 years ago. And the hospital where my son was born and where I worked. That was very special.

What trips in Australia have been special for you?

QUEENSLAND

I suppose, one recent trip in November, when I went up to visit my family in Charleville, in Western Queensland. It’s where our family property has been for 80 years. And I loved going back out there again amongst the Mulga* and the kangaroos. That’s a very special place for me. I just went out there and visited my first cousin who’s still on the place. They have cattle. My cousin’s been there for the whole of his life, 70 years, and they educated their children with distance education before they went away to school. And they’ve managed to battle it out with a 3-years drought. It meant a lot to me because Dad used to take me up there. We took Dad’s ashes back there.

Recommendations: Singapore, California, and Mexico would be up there.

And I did love Spain although it’s been a long time since I’ve been to Spain. And Italy.

*Australian acacia tree native to outback